Hashtag #SoSialManDinEdge

What is Social Media?


When you google it up, there are many different definitions but here's my favourite.
I personally feel that the ability to interact fuss-free with a wide network without needing to actually know your contacts personally when face-to-face has contributed greatly to the success of social media. Nobody to interview you for a magazine article? Who cares? You can do it yourself. You can take photos or videos and publish them online yourself. The trick is on getting an audience to actually pay attention to your 'publications'.

Lecture on Social Media

According to this tech website (http://whatis.techtarget.com/definition/social-media) which compiles computer terms, social media is the collective of online communications channels dedicated to community-based input, interaction, content-sharing and collaboration. 

Watching Teater Kami's double-bill play 'SoSial: ManDin Edge' is like going to a crash course on humanity and social media in today's times and how it has impacted our lives. ManDin  is a tale of two men of different social standing seeking for the meaning of life. Man is played by Aqmal N who is a prolific singer songwriter and a full-time musician. After winning a popular singing contest 'Anugerah 2004' organised by Mediacorp Suria, he has won other major competitions organised by mainstream media organization in Singapore. Though it is his first professional acting performance, he is comfortable on stage and it helps that the character he brings is a street busker who sings while playing the guitar. The guitar was not only used as a prop but as a musical instrument that sets the mood of the play. Heartstrings were tugged as the audience were drawn closer to the character when he opened up about his failed marriage solely influenced by his mother-in-law who turned her nose up at his choice of career. It is a sad reality for many freelancers out there as their jobs are often not regarded as 'proper jobs'. 

Aqmal N as Man

Din is played by Aizuddiin Nasser who is a passionate actor that has undergone training with the acclaimed Haque Centre of Creative Arts. His most prominent character is in the 2012 feature film 'Ah Boys to Men', where he played Recruit Muthu Shanmugam. Initially, his character  Din was quite a turnoff as he keeps blowing his own horn about his accomplishments as a writer and was constantly tweeting or updating his Facebook status with a hashtag #Dincakap or loosely translated to #Dinsays. He took a jibe at drama titles which are far from imaginative such as 'Suamiku Encik Perfect 10, Suamiku Encik Sotong, Suamiku Mr. Blind, Suamiku Ustaz, Sepupuku Suamiku, Dia Suamiku. His character began to mellow down as he began sharing about his mother who passed on after a battle with cancer. 

Aizuddiin as Din

There was a magical moment in the play as the two characters sang and recite lyrics from the song 'Bukan Kerana Nama' by Datuk Ramli Sarip. They were in separate realms but the lyrics were apt for both characters in their different situations. The play ended as Din crossed paths with Man who was busking and Din contributed $10 as a token of appreciation before continuing on his journey. The play presents real issues of the struggles freelancers face in their everyday lives.

Edge is a monologue presented by Adib Kosnan Siran, whose involvement  in theatre began in 2001 when he joined Dramaplus Arts Youtheatre. Since then, he has been heavily involved in Malay theatre with Teater Kami and also performed with numerous other drama companies. He currently freelances in theatre, writing, acting and directing, while teaching speech and drama to various levels. 

Multimedia projections add colours to the play

The story centralizes around a viral video of Johan who was caught standing on the edge of a building as if he was about to jump off. There were many speculations online on his action but no one actually extended help to him. The issues brought about from this play are very relevant and significant to all of us living in this age. As I write this blog post, I am reminded of one of the lines by Johan.

"Posts are a little bit of you that you are sharing with the world. Sending it out like a message in a bottle, drifting out at sea, and you hope someone finds your message, and reads it."

Everyone wants a voice. Everyone wants to be seen and heard. In the past, peer pressure to be hip and cool was an issue to overcome. Now societal pressure comes in the form of social media. Does your Instagram have any 'likes'? Does anyone 'share' your FB status updates? Are your thoughts retweeted? Are your videos going viral? Did your blog post have any views? Why did he 'unfriend' you or why did she reject your 'friend request'?

Some people crave for attention more than others and this is the case for Johan, the character played by Adib. A lonely polytechnic lecturer who craves for the attention of his students, he imagined himself to be a cool lecturer admired by his students. Things started going awry and churned a string of events after he took a video of one of his students being involved in an obscene act and then he went on to share the video online. The monologue performed by Adib is interactive and engages the audience throughout the play. It was supported by multimedia visuals of the character involved in different social media scenarios such as FB status updates, video blog and viral videos. 

The intimate setting of both the ManDin and Edge in Teater Kami's Black Box Studio have the audience close to the actors and allow the audience to be truly immersed into the lives of a street busker, a novel writer and a lonely lecturer. I feel that this play can be strengthened and achieve its full potential if played on a bigger scale and shared with a wider audience. I wish Teater Kami continued success and applaud its efforts on being more daring in recent times in exploring with different theatre genres such as experimental theatre instead of remaining in their comfort zone on genres they are familiar with.

Picture Credits: Teater Kami

Feedback from audience

Bonda Bedah, Mak Temah and The Chamber of Polongs

*I had intended to post this review only after the official review is out on Berita Harian but due to mistiming, the review will not be published on the newspaper.

 

Bonda Bedah and Mak Temah are two characters that have gained immense popularity through their videos posted on YouTube. Their shows candidly explore social issues through parodies. For the first time ever, their comedic acts are brought from YouTube screens to stage by Kreativ Outbox. The show 'Bonda Bedah, Mak Temah and The Chamber of Polongs' which ran from 30th Apr to 3rd May was initially scheduled for three shows but due to the overwhelming ticket sales, two shows were later added. All shows were sold out.

I first heard mentions of ‘Bonda Bedah’ and ‘Mak Temah’ through family gatherings from my nephews and even my mother. As honest as I can be, I have never watched any one of their videos and had just assumed that they were just two males who create slapstick comedy and everything will seem funny due to their crossdressing. My curiosity about them was aroused when I discovered that a play was actually being staged with them as the central characters. Even more so when I heard that all shows were sold out. They must be really good to garner that kind of response.

Rated 'Advisory due to coarse language' by MDA, the show is lighthearted and highly entertaining with colourful characters. Temah had accidentally released all her Polongs to Bedah. Bedah, not knowing the fact that the Polongs are attached to her now, continues with her daily routine. The audience is brought to a journey of how Temah and Bedah resolve their differences on the Polong issues through bantering and disagreements. Bonda Bedah is played by Hafidz Rahman and Mak Temah is played by Zuhairi Idris. Supported by five colourful characters consisting of Orb, Ziana, Azizul, Zain and Awab played by Nur Afiqa, Sunita Chiu, Junaidi, Sultan and Luqmanul Hakim, the show is fun-paced and there is never a moment of boredom when watching.

I was surprised when Izad shared that the supporting characters were mostly newbies and selected from auditions where more than 100 hopefuls turned up. The most outstanding newbie was Nur Afiqah who played the character 'Orb'. She was like a seasoned actress as she pranced around the stage with great confidence and stage presence. Her fluid movements and strong voice character definitely had my attention. I would love to watch more plays with her around.

Afiqa as Oracle

The highlight of the show is when the characters periodically break into song-and dance movements with catchy tunes and lyrics. The play uses popular tunes from songs like ‘All About That Bass’ by Meghan Trainor and lyrics are customized to suit the show. One of the songs, ‘Bonda Bedah Best’, is still an earworm until today. I especially like the fact that there are no major distracting fanciful set changes. The set is simple using platforms of varying heights that optimizes space. I personally love the cocoon-like structures where the ‘polongs’ are kept. 

Orb and Polongs

Much laughter was heard throughout the play and the best thing is that audience need not be theatre-trained to understand and enjoy the show. This is in line with Kreativ Outbox's objective of encouraging family to watch theatre as a family activity. Playwright and producer, Izad Omar had shared that they would like to invite families to exit their comfort zone of watching programmes on television from their couch and to immerse themselves in theatre works as an alternative form of entertainment. Kreativ Outbox also aims to dispel the myth that watching plays are only for the elite and not for the common folks.

The aftermath of watching this show had me realizing that Hafidz Rahman (Bonda Bedah) and Zuhairi Idris (Mak Temah) are not simply slapstick comedians but two hardworking individuals who continuously seek to hone their craft. They have an intimate working relationship due to their strong friendship ties and therefore they are able to understand each other well. This translates to their ability to seek relevant materials on social issues together. For them to develop parodies and send their message out as simply and crudely as they could, they carefully dissect current social issues and present them in their ‘makcik’ (aunty) characters so that audience can relate to them more easily. Their candid and spontaneous nature has won the hearts of their fans. I hope for them to carry on concocting laughing potions while perhaps downplaying their coarse language so that their shows will be more family-friendly.