Making Quran and Seerah Come ALIVE in Homes!

How do we make Quran and Seerah come ALIVE in our homes? Sometimes, we forget that Allah s.w.t. loves us so much that HE has provided a manual of life for us through the Quran and yet, we neglect and fail to optimize this Guidebook.

Wouldn't we want to achieve a harmonious family with young children who are polite and receptive to new information introduced? There are a million tips and guidelines that can extracted and simplified from the Quran for us to apply in our daily lives and therewith, guide our young ones.

Growing up in secular Singapore can be quite trying for a regular Muslim as the system moulds us to treat Islam as a part of life as though it is a separate body when in reality, Islam is THE way of life. Some parents tend to relinquish their responsibilities unintentionally and unknowingly as they develop this mindset that they have done their part when they have sent their children to madrasah, be it part-time or full time, or if they have sent their children to learn how to recite the Quran but truth be told, is that enough?

When we build God-conscious minds from young through proper methods and not simply by threats or instilling fear, values will form the foundation and if God wills, all will fall into place. This would be further made possible through constant supplications to Allah, undivided faith and consistent effort.

I had the opportunity to attend the 3Is Workshop conducted by IQRAsaurus on Monday, 31st October 2016, along with other parents and educators. IQRAsaurus is the brainchild of Sister Ziehan and her husband, Brother Iqram. It was easy to relate to their sharing session on integration as they were so casual and behaved just like any other ordinary couple, openly acknowledging that they err and are still actively continuously seeking knowledge without a 'holier than thou' persona. They were honest and genuine throughout the session and displayed no hint of any hidden agenda. It was even more beautiful when their children joined in the session. It was a live testimony of 'a mother is the first madrasah' as they mirror certain characteristics of their mother. It was too apparent for us to turn a blind eye to. 

Brother Iqram conducting the session with his toddler on his shoulders

Their 10-year-old daughter, Najwa presenting one of the books she wrote and aspires to publish: A Pig's Prayer

Nazirul Husna, Yours Truly, Sister Ziehan & children, Ustazah Su'aidah and daughter (From left to right)

I was so thankful that Allah willed me to attend the workshop and meet other like-minded individuals.

I felt so inspired and motivated. This is exactly what I strive to achieve. Insya'allah.
To have children of God-conscious minds.
To guide my children onto the straight path ~ sirattul mustaqeem.
To be reunited with my loved ones in the Gardens of Paradise.

Some Knowledge Takeaways from the workshop:

1. We must 'walk the talk'. If we want our children to behave a certain way, we must model the practices e.g. if we want to emulate Prophet Muhammad s.a.w. and teach our children not to eat while walking, then we must remember not to do that ourselves
2. Our ideas belong to Allah. Allah gave us the idea and triggered our minds to develop the ideas.
3. Parenting is a journey. We are not perfect nor always right. There are times our children can correct and remind us. Acknowledge that we err and thank our children for the reminders.
4. Display patience and self-control if we want our children to learn patience and self-control. Our children are a reflection of us, especially when they are young as we are their immediate source of learning.
5. Quran has outlined the ISO in our lives so specifically and holistically. Embrace it.
6. Allah swt is our leaning pillar. When in doubt or overwhelmed with challenges, consult HIM.

There are many more learning points derived from that single workshop which lasted for 4 hours. The wealth of knowledge acquired was just a tip of the iceberg. I have renewed excitement as I start planning on the integration levels I can start on Azeen and Ayra and looking forward to the upcoming ChiChi LaLa: Chasing Rainbows on 19th November at d'Pelangi Ballroom, Novotel Clarke Quay. I can't wait for the sharing session by IQRA'saurus on Quran 'hacks' in creating an ideal Islamic environment at home.

Of course, I am also as excited for the other stage programmes such as:

❤️️Kinesthetic techniques on memorizing the Quran by Ustazah Su'aidah Salim
❤️️Instilling Love of Reading by PlayDate
❤️️Interactive segment adapted from the Asmaul' Husna Series by Homely Hammocks
❤️️Islamic Art by Little Fikra and more!

For parents who are like-minded in raising children of God-conscious minds, do come for ChiChi LaLa: Chasing Rainbows with your family. Apart from the interactive stage programmes and booths, there is also an all-you-can-eat high tea buffet catered from d'Pelangi!
To get your tickets, click here.

Perhiasan Kaca by Teater Kami: A Tale of Broken Dreams

‘Perhiasan Kaya’ is adapted from a classic play ‘The Glass Menagerie’ by Tennessee Williams. ‘The Glass Menagerie’ is a four-character memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on Williams himself, his histrionic mother, and his mentally fragile sister Rose. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of ‘The Gentleman Caller’.

The original work had been translated by Asrul Sani, an Indonesian dramatist. It was later adapted in Malaysia by Mustafa Noor for the theatre group, Drama Centre, Kuala Lumpur in the 80s. Teater Kami first staged 'Perhiasan Kaca' at Teater Kami Black Box (Singapore) in 2007. This 2nd staging is directed by Ms Atin Amat at Drama Centre Black Box from 2-3 Sep 2016. 

Although the original manuscript was produced in 1944, the issues raised are universal and relevant until today. One of the issues brought up was the need to continuously upgrade our skills and knowledge so that we can keep moving forward.

Farhana M Noor’s first debut in Malay theatre is nothing short of outstanding. Having been a familiar face on Suria, especially since she clinched the ‘Best Supporting Actress’ and ‘Most Promising Actress’ award during Suria’s 13th Pesta Perdana, it was a delight to see how versatile she is as an actress. She was very convincing as Zahara, a girl with an inferiority complex due to a slight limp on her left leg. It wasn’t made easier for her character to learn and gather strength to overcome her low self-esteem as her mother was constantly doing everything for her, not even allowing her to do her own dishes. Zahara was slowly coaxed out of her comfort zone during the later part of the play and the audience is then treated to another layer of her character who can get excited and passionate when sharing about her hobby.

My favourite scene was when Aminah, played by Dalifah Shahril was having a tiff with her son, Taufik, played by Md Suhailmi Ruslan or more commonly known as Amy Kecik. The chemistry between them is needless to say. Their constant bantering was a joy to watch and I believe many of us would be able to relate as we have such conversations with our sensitive elderly mothers who are authoritative and can be quite fickle-minded at times. One moment, Aminah was furious at Taufik and before you know it, the very next moment, she was trying to cajole Taufik into matchmaking his sister with his colleague at the factory where he was working at.

Another memorable scene would be when Aminah got all excited at preparing the house for the coming of a potential suitor for Zahara, Johan, played by Norisham Osman. It was hilarious when Aminah stuffed handkerchiefs into Zahara's bosoms to make her look more alluring. Zahara almost fainted at the anxiety of realizing her potential suitor was in fact her old crush at school. Johan, the unsuspecting gentleman had no idea that he had been invited by Taufik for dinner only to be introduced to Zahara, his sister. Johan’s character was meant to be a charming young man who is a seemingly good catch as a prospective husband. The scene where he was left alone with Zahara in the room to chat and get to know each other better could have been better developed to lead the audience to feel as crushed as Zahara towards the end of the play when Johan declared that he was actually already engaged and getting married soon. The climax when Johan dropped the bomb that he was actually engaged did not really hit the correct note due to the flat tone in delivering the line. However, many in the audience definitely agreed that Johan played the role of leading Zahara on very well as I hear people cringing that their hairs were standing when Johan was staring into Zahara’s eyes intently and romancing her through his dance moves.

The audience sympathises with the broken dreams of Aminah to see her only daughter wed, being the only solution she could identify for Zahara to have a better future after she had failed to continue her typewriting lessons. Aminah and Zahara were left to fend for themselves as Taufik went off to be a sailor and chased his dreams, just like his father.

Aside from the storyline, the strength of the play is definitely in the language and delivery of lines. The script is so beautifully worded to make us appreciate Bahasa Melayu. I love the display of customs in the family’s daily routine as it educates members of the audience on the values of a family unit. The set design allows us, the audience to empathise and understand Aminah’s willful desire to break out of her poverty cycle.

I look forward to the next play by Teater Kami! It is a children’s play entitled ‘Buaya Buas’ or ‘Wild Crocodile’, directed by Saiful Amri Ahmad Elahi at Teater Kami Black Box from 26-29 Oct 2016. Check out Teater Kami’s FB page for more info!

Aminah cajoling Taufik to introduce his colleague to Zahara

Zahara crawling out of her comfort zone

Johan teaching Zahara dance moves

Set Design

Laki Bini #3: Growing Old Together

True to the 'warning' issued to fellow patrons on their FB Page, KreatiV OutBox opened their doors at 7.40pm and the show started promptly at 8pm. There were some baffled audience as they had expected the usual 'janji Melayu' traits of plays which usually almost never start on time.

The show had me laughing right from the beginning as Cik Zakaria, played by Norman Ishak was singing and dancing to the song 'Cek Mek Molek' by M Daud Kilau. With his awkward movements and out-of-tune singing, he was believable as an elderly man who loves to joke around with his equally elderly wife, Cik Rahimah played by Izyan Mellyna.

For someone who was a first-time performer for theatre, it was a job well done for Norman Ishak. There were just a few faltering moments when there was mild inconsistency in his characterisation. When he got too excited, he sometimes went back to being himself and not Cik Zakaria but this was just for a few fleeting seconds before he realised it and then he will start transforming back to Cik Zakaria again.

If not for Laki Bini #3, many would not have known that Izyan Mellyna has such an powerful and beautiful singing voice. Now that we know, I look forward to seeing her in a musical next! Her comic timing throughout the show was too perfect. If you ever need someone for an anti-climax moment, she should be your first choice!

Hafidz Rahman who is most commonly known for his online persona, Bonda Bedah, played multiple characters in the show. His primary character was Hasif, the adopted son of Zakaria and Rahimah. He plays his multiple roles very distinctly and it was especially heartwarming during the scene when Hasif was in a tense argument with his father but when his father suffered a heart attack, he immediately dropped everything and rushed to get a glass of plain water and medicine for him. The unconditional love of a son towards his father despite being in the tense situation reminds us to be respectful of our parents no matter the circumstances.

After downloading the programme booklet through scanning the QR code on their publicity flyer, I realised that Hafidz Rahman was also the playwright for the show. I love how issues such as dementia and Alzheimer's Disease are discussed in the play. The set includes having post-it-notes around the house to remind Rahimah on simple routine activities that she might forget, such as turning off the stove when she is done cooking. The climax was when Rahimah went missing one day and Zakaria frantically searches for his wife. It was then that he opened up to his son regarding his biggest fear. He prayed that if they were to leave this world, may they leave it together as he cannot bear going through life without her or wondering how she was going to go through life without him. There would be no one to accompany him for his weekly dialysis sessions if she were to leave this world before him. And if he were to die first, there will be no one to look after her well-being and bear with her forgetfulness.

The play presents the reality of life as an elderly couple who has to support one another while struggling with their health issues. It is a story of growing old together and the never-ending ups and downs of family life. It also touches lightly on sensitive issues like infertility, homosexuality, interracial dating and civil marriage.

The light design by M Fadlin M Saffri was also beautiful. The lights added dimension and feel to the show as the space transformed into a fantasy concert for Cik Rahimah and then back to their simple home. Another element that had me captivated throughout the show was the live music and sound effects by the live band stationed at the back centre stage. The sounds of Rahimah cooking in her kitchen or accidentally dropping her pots and pans were made live by Musicians of Orkestra Sri Temasek and brings the audience closer to the show as if we were right there in their home, witnessing the episodes in their lives.

Laki Bini #3 has a nice blend of laughter, tears and tension. I dare to say that this is the best one in the Laki Bini series. Thank you Izad Omar, Noor Rahim and the production team of Laki Bini #3 for producing theatre plays that appeal to the masses. It is no wonder that both shows were completely sold out! I look forward to the next production by KreatiV OutBox.

Zakaria comforting Rahimah as she gets upset about her infertility issues Photo Credits: KreatiV OutBoX

Post-it-notes to remind Rahimah Photo Credits: KreatiV OutBoX

Rahimah in her fantasy solo performance concert Photo Credits: KreatiV OutBoX

SAHM VS Working Mum

Before anyone thinks this is another one of those posts where people debate on which is better: SAHM or Working Mum... Pause...

For it is not.

It all started when I decided to resume driving lessons after a 3-years hiatus. I had failed my Traffic Police practical driving test at least 5 times before my final theory expired in 2012. I had passed my Basic Theory Test when I turned 18 but I had no money to continue with practical lessons then. When I grew older, it was always a matter of 'got time, no money' or 'got money, no time' and when 'got time, got money', the preferred slots for practical lessons were always full and my lessons were inconsistent. It was ridiculous to be constantly monitoring the slots while at work or to keep taking leave for practical lessons especially when I had to apply for leave at least 3 months in advance for my workplace at that point.

I used to be under ComfortDelGro Driving Centre - Kovan Branch. When I failed my practical test the 12345th time and my final theory expired, I had to put my dreams of getting a driving license to a stall as my wedding was impending. After the wedding though, we were busy with our home renovations.We got our keys a week before our wedding, you see. My first born was conceived after 2 months of marriage and so, we need to prioritise our spendings for the pregnancy check-ups and delivery. Blah, blah, blah... it has been 3 years and I finally decided that there is no more putting off getting a license and I MUST get down to it already.

Since my husband is the sole breadwinner, I suggested for me to take up a temporary job stint so that the household budget will not be affected and driving lessons are not exactly cheap. We agreed for the temporary job arrangement to be around 1 to 3 months and see how it goes. I started  driving lessons towards the end of Sep and this time round, I took up lessons from a private driving instructor recommended from one of my FB contacts. He was a garang uncle who used to be the chief training instructor at SSDC and is now a retiree. I failed AGAIN for the first practical test and was fairly disheartened but when I got a test date for the week after, I was more determined to pass. On a blessed Friday the 13th of November 2015, I finally obtained my driving license. I was the last one to enter the room and when the tester was going through with me the results, my mind was racing and all I was thinking was whether I passed or failed. I was tearing and thanking him profusely when he finally smiled and said, "Congratulations, you PASSED." So drama. I know. Lol.

I thanked my driving instructor who was waiting patiently for me at his car and cried again while telling him I passed. I didn't expect getting a driving license to be this emotional. It was more stressful than taking my GCE 'O' Level results. I proceeded to take a photo at the instant photo booth and waited for my turn to get my temporary license. For those who are learning, I suggest for you to prepare a decent Passport/NRIC photo in your wallet before you go for your practical tests. The product from instant photo booths can be quite unflattering.

For those who are keen to book a private instructor from the North!

For those who are wondering, my temporary child care arrangement for my two girls was to place them under the care of my mother and my mother-in-law. We had to trial-and-error the best arrangement for everybody. Initially, we will wake up extra early and carry the girls to Khatib where my parents-in-laws stay before leaving for work. We placed Azeen on the stroller and Ayra on the carrier and walked through the park. We also tried just carrying them and taking the feeder bus but the bus was always very crowded and it was not easy balancing while carrying children and bags. It was challenging initially as they will wake up when we carry them and both or at least one will be crying for Mummy not to leave them. It was truly heartbreaking.

I was very concerned for Little Miss Clingy Ayra but it turns out that she can actually survive a day without Mummy and behaves herself. The moment she seems me at the doorstep, she will start her clingy mode back on. My mother decided to sleepover at my place for a few days so that I can get ready without crying children and for the children to sleep through as I leave for work. I can understand the guilt that working mothers go through as they hear the cries of their children wailing and wanting their mummies.

After trying out for a few days, we decided on the arrangement that will affect the children the least. It is just a temporary arrangement so we wouldn't want to disrupt their routine too much. Every Monday, the girls will be placed at my in-laws and after work on Mondays, I fetched them and send the girls to Hougang. I leave for work from Hougang the next day. I slept at Hougang on alternate days and fetch the girls on Fridays. The alternate days that I return to Yishun, I will be rushing on the household chores, especially the laundry. Sometimes, my mother will send the girls over to Yishun on Fridays so that I wouldn't need to rush to Hougang from work and then back to Yishun. Mothers are really super human beings. Even at 30 with two children, my mother still pampers me and wants the best for me. She doesn't want me to be struggling and whatever she can do within her means to help me out, she will. The power of a mother's love is truly limitless.

I have been a SAHM for the girls since they were born so when I started working, as much as I miss my routine, I found myself enjoying time to myself. I could eat with two hands without anyone climbing over my back. I can chat with friends and do some window-shopping during lunch. It was freedom on a whole new level! I was not on Mummy's duty for 25 hours a day. I did not expect myself to love my temporary workplace and the people there as my intention had been to just earn money for my driving lessons and probably some extras for self-pampering. I felt truly blessed and had new friendships forged within the short span of three months.

A tiny part of me was reluctant to go back to life as a SAHM but then I think of the real challenges a working mother has to face and concluded that both have equal challenges to overcome and I should be contented with my lifestyle for now. During that short period, there were incidents that made me understand why some working parents choose to place their children in childcare centres instead of under the care of their own parents or in-laws. Plus, there were those times that I had to control my tongue not to voice out certain conflicting ideas to avoid any misunderstandings. I just kept reminding myself that it is a short-term arrangement and I can reprogram or uninstall any unwanted software once I regain 'control' of our preferred parenting style. When I leave for work in the morning, I see other parents struggling with their young children still groggy and yet needs to be left at the childcare centre before their parents rush off to work. After work, these parents rush to fetch their children and once they reach home, it is a mad rush to have dinner, do household chores and prepare for the next morning. 

Now that I am back as a SAHM, my routine is to prepare breakfast for the girls before bathing them, rushing off to do any chores I can before Ayra's nap time and then do my Zohor prayers before getting Azeen ready for school and then to send Azeen off to school which is only for 1.5 hours. I will have a breather while Azeen is away in school and it will be 'me' time with Ayra while waiting for her elder sister. I feel very 'aunty' now that I start making friends with other Mummies who are waiting for their child to end school. I hang out with another Mummy for drinks and desserts, exchanging stories of our children or just anything under the sun. When I pick Azeen up, it will be time to prepare or buy dinner, do some more household chores, bathe the girls, do Asar prayers and then Daddy will reach home. It will be time for Magrib prayers, dinner and a little bit of TV before reading time for the girls. Last itinerary will be performing Isya' prayers and putting the girls to sleep. Once they are asleep, I will do my packing of orders and to prepare them for mailing. Somewhere in between my daily activities, I will manage to reply queries and orders for MifSha Kids customers. While sleeping, Ayra will be climbing all over me for her free flow of milk before deciding to sleep across my body to ensure that I cannot go to the toilet or leave her side without her knowledge. Up till today, during Subuh prayers, I will have to do my prayers while listening to her wailing for Mummy throughout the 2 raka'ats despite having her Daddy pacifying her. It all sounds like such a calm experience when I type it out but it is quite chaotic in reality. Lol.

SAHMs or working mums have different roles and responsibilities to juggle. All mothers are superwomen and want the best for their children. I am thankful to get a taste of both worlds. For now, I shall just constantly remind myself that it is a joy to witness and experience the daily mayhem until both girls are bigger. How much bigger? I have no idea.

My Story - Duo

Directed by Ms Atin Amat, who needs no introduction in the professional Malay theatre scene, ‘Gigi oh Gigi’ or ‘Teeth oh Teeth’ is such a pacey hilarious story that it is hard to watch it with a straight face at any point. There was always a funny event being introduced to tickle your funny bone. It also has historical elements such as the various campaigns held by the Singapore government ever since the launch of its first campaign ‘Keep Singapore Clean’ in 1973. Dalifah Shahril, the renowned theatre actress with more than 60 plays under her belt, is easily one of the most engaging storytellers around. 

The story, inspired by a true life event, drags the audience on a journey of chaos when Datin Lynn’s niece, Yani accidentally dispose of her newly-constructed dentures into the toilet bowl. As dentures take a considerable amount of time to be replaced, Datin Lynn racked her brain on alternative ways to solve her problem in the meantime. Her wacky ideas include desperately heading to a costume shop and buying the different types of fake teeth available to try them on. The story ends with Datin Lynn finally getting another set of new dentures after two weeks instead of supposedly a month’s wait. It was an important lesson for Datin Lynn as she realizes the importance of her teeth when she had to literally survive without them in that short period. She had been a heavy smoker and had to go through Gingivectomy, a type of gum treatment due to her poor care of oral hygience.

Although it was a monologue, the obvious transition of characters made it easy for the audience to differentiate between the main character and other secondary characters in the play. There was only one massage chair, a luggage bag and a mobile phone as props but those were enough to transform our imagination as the play progresses.

After a short ten-minute intermission, the play moved on to its second monologue ‘Sayang Musalmah’ or ‘My Dear Musalmah’ performed by Suryana Norddin and directed by Nabilah Moen. It was a stark contrast from the first play as it has a more solemn mood, starting off with the main character, Musalmah in a white telekong reading verses from the Yaseen after her mum’s demise. It is a story of love and forgiveness. A story about life and its final destination: death. As the main character deals with the grief of losing her father, she slowly matured and moved on to mend her broken relationship with her mother. As Musalmah’s relationship with her mother was just improving, she was delivered another blow when it was her mother’s turn to leave her in this world.

Suryana was able to emote convincingly enough and moved the audience to tears as we feel her devastation upon her mother’s demise. There could be a more distinct switch of characters although I can identify the different characters she played. The play has been cleverly directed such that the transition of a character occurs each time as the actress changes position e.g. from sitting to standing or from standing to moving to the chair. At some point, it was predictable when there is going to be a switch to the next character.

Since it is a double-bill of monolouges, I personally feel that it would have been better to have ‘Sayang Musalmah’ first so that the play would end on a ‘high’ with ‘Gigi Oh Gigi’. Both plays were performed in Malay with English surtitles at the Malay Heritage Centre Black Box.

Hashtag #SoSialManDinEdge

What is Social Media?


When you google it up, there are many different definitions but here's my favourite.
I personally feel that the ability to interact fuss-free with a wide network without needing to actually know your contacts personally when face-to-face has contributed greatly to the success of social media. Nobody to interview you for a magazine article? Who cares? You can do it yourself. You can take photos or videos and publish them online yourself. The trick is on getting an audience to actually pay attention to your 'publications'.

Lecture on Social Media

According to this tech website (http://whatis.techtarget.com/definition/social-media) which compiles computer terms, social media is the collective of online communications channels dedicated to community-based input, interaction, content-sharing and collaboration. 

Watching Teater Kami's double-bill play 'SoSial: ManDin Edge' is like going to a crash course on humanity and social media in today's times and how it has impacted our lives. ManDin  is a tale of two men of different social standing seeking for the meaning of life. Man is played by Aqmal N who is a prolific singer songwriter and a full-time musician. After winning a popular singing contest 'Anugerah 2004' organised by Mediacorp Suria, he has won other major competitions organised by mainstream media organization in Singapore. Though it is his first professional acting performance, he is comfortable on stage and it helps that the character he brings is a street busker who sings while playing the guitar. The guitar was not only used as a prop but as a musical instrument that sets the mood of the play. Heartstrings were tugged as the audience were drawn closer to the character when he opened up about his failed marriage solely influenced by his mother-in-law who turned her nose up at his choice of career. It is a sad reality for many freelancers out there as their jobs are often not regarded as 'proper jobs'. 

Aqmal N as Man

Din is played by Aizuddiin Nasser who is a passionate actor that has undergone training with the acclaimed Haque Centre of Creative Arts. His most prominent character is in the 2012 feature film 'Ah Boys to Men', where he played Recruit Muthu Shanmugam. Initially, his character  Din was quite a turnoff as he keeps blowing his own horn about his accomplishments as a writer and was constantly tweeting or updating his Facebook status with a hashtag #Dincakap or loosely translated to #Dinsays. He took a jibe at drama titles which are far from imaginative such as 'Suamiku Encik Perfect 10, Suamiku Encik Sotong, Suamiku Mr. Blind, Suamiku Ustaz, Sepupuku Suamiku, Dia Suamiku. His character began to mellow down as he began sharing about his mother who passed on after a battle with cancer. 

Aizuddiin as Din

There was a magical moment in the play as the two characters sang and recite lyrics from the song 'Bukan Kerana Nama' by Datuk Ramli Sarip. They were in separate realms but the lyrics were apt for both characters in their different situations. The play ended as Din crossed paths with Man who was busking and Din contributed $10 as a token of appreciation before continuing on his journey. The play presents real issues of the struggles freelancers face in their everyday lives.

Edge is a monologue presented by Adib Kosnan Siran, whose involvement  in theatre began in 2001 when he joined Dramaplus Arts Youtheatre. Since then, he has been heavily involved in Malay theatre with Teater Kami and also performed with numerous other drama companies. He currently freelances in theatre, writing, acting and directing, while teaching speech and drama to various levels. 

Multimedia projections add colours to the play

The story centralizes around a viral video of Johan who was caught standing on the edge of a building as if he was about to jump off. There were many speculations online on his action but no one actually extended help to him. The issues brought about from this play are very relevant and significant to all of us living in this age. As I write this blog post, I am reminded of one of the lines by Johan.

"Posts are a little bit of you that you are sharing with the world. Sending it out like a message in a bottle, drifting out at sea, and you hope someone finds your message, and reads it."

Everyone wants a voice. Everyone wants to be seen and heard. In the past, peer pressure to be hip and cool was an issue to overcome. Now societal pressure comes in the form of social media. Does your Instagram have any 'likes'? Does anyone 'share' your FB status updates? Are your thoughts retweeted? Are your videos going viral? Did your blog post have any views? Why did he 'unfriend' you or why did she reject your 'friend request'?

Some people crave for attention more than others and this is the case for Johan, the character played by Adib. A lonely polytechnic lecturer who craves for the attention of his students, he imagined himself to be a cool lecturer admired by his students. Things started going awry and churned a string of events after he took a video of one of his students being involved in an obscene act and then he went on to share the video online. The monologue performed by Adib is interactive and engages the audience throughout the play. It was supported by multimedia visuals of the character involved in different social media scenarios such as FB status updates, video blog and viral videos. 

The intimate setting of both the ManDin and Edge in Teater Kami's Black Box Studio have the audience close to the actors and allow the audience to be truly immersed into the lives of a street busker, a novel writer and a lonely lecturer. I feel that this play can be strengthened and achieve its full potential if played on a bigger scale and shared with a wider audience. I wish Teater Kami continued success and applaud its efforts on being more daring in recent times in exploring with different theatre genres such as experimental theatre instead of remaining in their comfort zone on genres they are familiar with.

Picture Credits: Teater Kami

Feedback from audience

Iphone VS Sony Xperia Z3+

Anybody who knows me well enough knows that I am a creature of habit and once I stay loyal to a product, service or person, I really do not stray away.

If I enter a building and happens to go to the restroom more than once while being on the same floor, if unoccupied, I will tend to go to the same cubicle that I did the first time I went to the restroom.

In secondary school or poly, my close friends can order food for me without needing to ask as I order the exact same thing everyday. As I grow, the only variation will be the stall that I go to. If I go to stall A at food court A, I will order Mee Soto. If I were to order rice, it will be the exact same dishes. Up till today, if my husband were to get breakfast from the Kopitiam near my house, he knows my order. 

I used to love going to Ramen Ten at Far East Plaza and my friends were dragged there each time we are in the area. I will order the exact same dishes there as I thrive in familiarity. I do go to new places and check out new dishes occasionally but I prefer to stick to something I have tried and tested once I like it. That is why when the service and food quality dropped consistently, I stopped patronizing totally after giving substantial chances that maybe the chef or staff was just having a bad day.

I do embrace changes as changes is a constant and that have been drilled in my head by my ex-principal, Mrs Tay when I was still in Cedar Girls'. Also, my mum is always changing the furniture around the house for as long as I can remember and we need to constantly adapt fast to a different outlook and layout each time she changes. My husband always get disoriented when he sees this happen as he comes from a household where the furniture is generally preserved in their rightful place. Therefore, I do accept changes but I need to be convinced on the benefits before I readily accept the proposed change.

Templates are my best friends and I love systems that are structured but at the same time allow a certain level of flexibility and personalization. I am no IT genius and when the world of smartphones just began, I fell in love with the iPhone. I have been using iPhones since the first iPhone and now I'm on iPhone 5s with the latest iOS. I didn't get an iPhone 6 or 6 Plus as the features do not have major improvements if one is on an iPhone 5s with the latest update. I was one who religiously did backup for my data and sync with iTunes so when I lost my phone sometime in 2008 or 2009, I felt blessed when all I needed to do was to plug in my iPhone to my laptop, sync it with iTunes and my replacement iPhone was just like my lost one with my contacts, messages, apps, photos and videos fully restored. 

Fast forward to current times, my husband is an advocate for Android phones. Ever since he switched to an Android phone from an iPhone, he has not looked back and is always urging me to switch. I wasn't impressed with the apps as iPhone always had the latest updates and functions for apps then. I did try having a Samsung Galaxy Tab for work purposes but I am still not bought over. Furthermore, it would be too much of a hassle for me to switch from an iPhone to an Android phone. Too much data will be lost. Or so I thought. I will get to that later.

My husband is now on his third or fourth Android phone and I am finally starting to get impressed. Maybe it is due to his phone's advanced features or due to the lack of new features released from Apple. I can't say for sure at this point. I got intrigued firstly by the waterproof feature Sony Xperia Z3 +. My husband was showing off how he could still use his phone even when his fingers were still wet when he just got out from the bathroom. When he first showed me the photo and video quality, I was just semi-impressed. He went on to tell me that his phone has 4K recording and 5MP front camera. I got interested but displayed nonchalance. Wow can record from the screen! Hrmmm... Interesting... I couldn't hide my curiosity further when he showed me the touch block feature. Apparently the model before this Sony Xperia Z3+ had this feature too but of course I have never bothered to find out since I am comfortable with my iPhone. I find this touch block feature very essential especially since I have a toddler and an infant who find our phones and any gadgets to be subjects of entertainment. They will press here and there, swipe screens here and there, move my app icons around, delete photos or videos accidentally and the list goes on. This 'touch block' is such a useful feature especially for those with children. Plus, apps on Android are now more varied and stable thus staying competitive with apps on iTunes.

Yes, Apple now has the Apple watch but Android has the Android watch too. There is not much advancement on Apple's end and I am finally leaning towards hopping onto the Android bandwagon soon. I can only recontract without additional charges next month so I am still waiting to see if Apple will suddenly surprise me. I do not foresee that happening though but let's just wait and see.

Anyway, I mentioned about the fear of data loss if I were to switch from an iPhone to Android. Apparently, it is not too difficult to preserve data and bring them over. I found this link: http://www.digitaltrends.com/mobile/how-to-switch-from-iphone-to-android/ to be most useful. I hope it will assist me in transferring my data seamlessly when I finally make the switch. :)